A chameleon with an identity crisis is just the sort of quirky, elevated premise that waits for a Hollywood studio to come around and take it down a few notches, preferably through the agency of a starry-eyed export from a sketch comedy show. Or, in the case of animation, by treading territory already covered by Saturday morning cartoons and artless gag factories. What a pleasant surprise to the pessimist, then, that Rango smartly lives up to its promise, offering up a light but effective existential Western populated by colourful, humanized critters voiced by top-notch, chameleon-worthy actors.
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